"Being a writer is like having homework for the rest of your life -- you can never switch off. If you're not writing, you're editing. If you're not researching, or reading, you're hustling. If you're not eavesdropping or brainstorming or working new ideas ... then you'd better get out of the business and find a real job!" ~ Irvine, Hollywood screenwriter.
Sunday, October 14, 2007
never say goodbye ...
With that in mind, I’ve hedged on something all week. Should I, shouldn’t I? Why? Why not?
It all started when I answered five questions from Ian Lidster. And simultaneously read a post on KJ's new blog. And another by Kiyotoe. Then one of my closest friends left Seattle to begin a new life in Florida. Sometimes it takes just a little nudge to get us to regroup, recommit, or re-assess.
Whatever you call it, all three posts sparked that flame that flickers deep inside and I realized I’d been coasting, living in a very cushy comfort zone—something I knew intrinsically, but not a state I like to be in for too long.
I need to step it up, and step on out!
Won’t bore you with the details of my life, but as a result of this, I’ve made significant changes and have the opportunity to really stretch myself. And … most importantly (!) … I want to (choose to!) get away from the keyboard more. So last month I hired a personal trainer to get me reconditioned over the next few grey months. I want to learn to ski ‘properly’ this winter. I also want to master that darn snowboard once and for all; and go snow-mobiling and snow shoeing—without getting stuck in a drift!
To gain a better balance on my work and personal life, I need to create more creative space and time. That means letting go of, or subtracting, certain other roles and activities, most of which I can't/won't mention here for obvious reasons.
So it’s with much ambivalence, my bloggy-buds, that I sing “So long, farewell, auf wiedersehen, goodbye” … at least for now.
Blogging was something I thought I’d do for a couple of months—and even though I was by no means a prolific blogger compared to most of you, 18 months later it’s like leaving the comfort of a home you’ve lived in for a while to move to a new town. Sad to be leaving, but excited about the journey and new challenges and opportunities ahead.
I hadn't expected to ‘meet’ such wonderful, warm, funny, wise and incredibly smart and talented people. So, thanks for the timely kick in the pants! Thanks to those who've left comments on-blog and off-blog.
And thanks to all of you who’ve made me laugh, learn, and cry by sharing your skills, experiences, and life-journeys.
Bibi’s come to the end of her Beat for a while … but I hope you’ll stay in touch …
Love and hugs x
P.S. I have withdrawal symptoms already.
Saturday, September 15, 2007
perfect conditions
I’m guilty of saying similar things myself about a couple of my own pet projects yet to realize fruition. For me, it’s not always the number of paying projects I’m working on that stalls me, but the intensity and timeline of each project. For example, I’m currently working on 11 paid projects, which is down considerably from last month’s count, but the intensity is high and I’m working 7 days a week to maintain. Other months I have just one or two projects that require most of my time.
Last week, when I was interviewing bestselling true-crime author, Ann Rule, she inspired me to realize that—as much as I have to be organized—I often get in my own way.
For one, I like clean, clear and open space to work in, no clutter in sight. And most days I work in nothing less.
Yet, as I write this, at the end of a crazy week where I’ve juggled all day and everyday—as we all do—my desk is overflowing with books to review, publicity material to scan, a phone log with 13 calls to return, marketing collateral for my show, a network folder full of regional events I ‘should’ attend; guest material to research; and a folder full of resumes to sift through so that I have another pair of hands before I tear out what little hair I have left.
There’s a desktop LCD, two live-laptops ready to receive urgent client messages from different sources; a banker’s lamp on the far left corner and an artist’s magnifying light on the right. A bottle of coral nail polish, a vase of past-their-best roses, my old classic-sized DayTimer and my new full-size Covey planner. Then there’s a digital clock, salt rock to dispel negative electrons, three wireless mice, a wireless keyboard, and oops, another bottle of nail polish—this time pink. (Now you know what I do on global conference calls!)
There are two DVD roughs to sign-off on, as well as a list of production credits to proof and approve. Two staplers (don’t you hate when they run out and you’re in a hurry?) and a block of Post-it notes. A “No Whining” sign sits behind a framed plaque saying, “You can be pleased with nothing when you are not pleased with yourself”. (Must remind self of both sayings!) A cell phone, business phone, and an assortment of colored pens so I can color-code my new planner. (…anal?) And no less than two cups of cold coffee and a glass full of Perrier water.
“This is ‘My Life’” … oh no, wait, that’s the Cover Girl commercial.
Back to Ann Rule.
She was a cop turned writer. A single mom who had to find a way to make money when she could no longer be a cop because of eyesight limitations. And she found that way by setting up a typewriter in her kitchen and writing fantasy stories for True Confessions magazine, in and amongst the chaos of raising five children.
“We were so poor, for so long” she said, “but it teaches you, you can write through anything if you’re determined.”
She tells people who talk of seeking perfect conditions, like that cabin in the woods where everything is quiet (or the super clean desk), “It doesn’t work that way. If you want to write [act, paint, dance] you will find a way.”
And despite the huge disappointment of losing her career as a police officer, and her recollections of peeling fighting children off the top of her typewriter, Ann has now made the New York Times bestsellers’ list 26 times.
So, while I take a few minutes to clean and de-clutter my desk, tell me, what perfect conditions are you waiting for?
Saturday, September 01, 2007
don't let this stop you
“Don’t let this stop you,” the letter ended “... we look forward to hearing more of your music in the future.”
Like many of us when faced with rejection, he’d skipped over the formulaic middle paragraph, and zoned in on the bits that gave him the slightest hint of hope that this wasn’t ‘just a standard rejection letter’. After all, that was a real ink signature … wasn’t it?
I’ve blogged on rejection before, but let’s face it, whether you’re
According to psychologists worldwide, it’s the number one fear of mankind. That and public speaking. And when you’re emotionally attached to a particular piece of work or specific outcome, a resounding ‘thanks but no thanks’ is that much harder to swallow.
So, after our initial whining session, how do we make rejection more palatable?
If I had the answer to that I’d no doubt make a quick million. But here are seven tools that work for myself and others who are, alas, well-experienced in handling rejection!
- Don’t automatically assume you did something wrong, or could have done something differently to influence the outcome. That may be true in some cases; but for the most part, rejection occurs due to a lack of confluence between you or what you’re presenting, and time-place-demand and/or desire. The stars were aligned—or they weren’t. Your work landed on the right desk on the right day—or it didn’t. You met the person who set your heart on fire when you were both willing and available—or you didn’t.
- When a loved or desired one rejects you with “It’s not you, it’s me” believe them. It-is-ALL-About-Them. Always has been. Always will be.
- When a potential employer rejects you, see it as positive. As a manager, I interviewed hundreds, if not thousands, of potential employees, and it simply boils down to a person being a good fit for the job/team—or not. Doesn’t mean there’s anything wrong with you or the employer. And you want a mutually beneficial match, right?
- When an editor, producer, or gallery rejects your work, resubmit the piece to another pre-selected market the same day. If you have a good relationship with the rejecter, you can ask them why it didn’t fit their needs *if* and only if you did your homework and didn’t present them with something they’d already featured a couple of months ago.
- Take inflammatory emotion out of the situation. The rejection is not meant to hurt or injure you as a person, or to crush your creative genius. It’s not personal—if you think it is, read number one again!
- Make the Law of Averages work for you by checking-off the rejection as another step closer to getting a yes.
- Don’t ever let the fear of rejection stop you from reaching out in any aspect of your life. Our wise elders always say, it's not the things they did that they regret. It's the things they did not do!
What do you have to add on rejection? How do you handle it? What type of rejection is hardest for you to deal with—emotional or work-related? And why?
Sunday, July 15, 2007
jumping off cliffs
Come to the edge, He said.
They said: We are afraid.
Come to the edge, He said.
They came. He pushed them,
And they flew …
Guillaume Apollinaire
Avant-garde French poet.
I don’t usually talk much about my work, too busy doing it; and I like to pour my energy into the process rather than explaining what I’m working on. But last month, after telling my friend in no uncertain terms (for the umpteenth time and for seven million reasons), “Not happening! Not going to do it!” … I went and did it!
When I took a break from the radio show at the beginning of this year, I intended to be hosting again toward the end of the year, and planned to take my time looking for a new executive producer (EP) to team up with. I wanted to wait until I found someone with a good match of goals, values, and vision; and was willing to be patient.
So even I was surprised, when early in May, I found myself calling several stations to talk about airtime and studio and production costs.
Information gathered, meetings held, discussions clarified, contracts reviewed … now all I had to do was decide. Did I want to do ‘it’?
Well I did want to do it. And without analyzing it to death, I trusted my instinct and took a huge leap of faith—with the stroke a pen, I became my new EP. Done. Dusted. Sorted.
I spent the next week on a roller coaster: It’s thrilling, scary. Exciting, daunting. Energizing, terrifying. Yeay! Aghh!
But life truly is what we make it.
No matter how you define success, there are many times in life when we have to be willing to leap without knowing what’s in front of us. We have to push through our fears, our doubts, and self-prescribed limitations. We have to close our ears to those who say it can’t be done and who try to drag us into their misery pit. We have to fill our minds with the belief that we can accomplish whatever we set out to do; and our hearts with the courage to do it.
So without further ado, I’m jumping right off that cliff, damn it, and building my wings on the way down. See you safely on the ground!
Others who jumped off a cliff (and kept on jumping!)
- Composer Oscar Hammerstein had 5 bombed shows lasting less than 6 weeks in total before Oklahoma! It grossed $7million and ran for 269 weeks.
- Author Tawni O’Dell had 6 unpublished novels and 300 rejection slips over a 13-year period before her first novel was published. When it became an Oprah book club selection, it made the New York Times bestseller list for 8 weeks.
- Admiral Robert Peary reached the North Pole on his 8th attempt.
- Stephen King got so fed up of receiving rejections on his novel Carrie that he threw it in the trash. His wife, Tabitha, retrieved it and sent it back out … we all know what happened next.
- Model/actress Angie Everhart was told by Eileen Ford that redheads don’t sell. Everhart later became the first redhead in history to appear on Glamour magazine and appeared in more than 27 films and now has her own show.
What cliffs have you jumped off? How did you build your wings? Maybe more importantly, what cliffs do you regret not jumping off?
Sunday, July 08, 2007
procrastination
to the seat of the chair. -Mary Heaton Vorse
When no one else depends on your delivery, without editorial deadlines or production milestones or scheduled review meetings, it’s far too easy to push aside the Important for the urgent or pressing “in-your-face” issues of the day.
day, such as going AWOL for a vanilla frapuccino and a chat with the barista. Or sailing off into the sun ( ... after all, it does rain here 300 days of the year!).The irony is, that I most often procrastinate when I really care about a project—the perfectionist in me holding back until I know it can be perfect beyond a doubt—which, of course, is never!
I also procrastinate when I find a project dull or lacking challenge. Or if the project-at-hand doesn’t push my buttons. For example, I once scrubbed the entire house with a nail-brush and cooked a six-course cordon bleu meal, when I should have been studying for my upcoming six-hour registered stock broker’s licensing exam. The man of the house was thrilled, while my stress level soared through the roof knowing that I’d merely delayed the inevitable dreaded study of ‘puts, options, bonds, and living-wills’.
But that was many moons ago. And as much as I’ve procrastinated over the years—and still do—there are many more times when I’ve been so utterly absorbed by my work, that I forget to eat, drink, and sometimes, sleep.
At the end of the day, I always deliver. Always meet deadline. And I've learned that procrastination works for me as part of the creative process. I've learned that it’s good to sometimes allow a certain amount of time just to think ... letting fragments of ideas infuse, and thought patterns simmer, until that intangible 'something' kicks in and I’m at the boil raring to go!
I discovered what I already knew—that at least in this area—I’m perfectly normal!
- Amy Holden Jones believes that all writers are good procrastinators. She says that the process is of writing is grueling, until her characters begin to come alive to her, and that’s when she develops a sense of connection with the project.
- Steven DeSouza, knows when he’s about to write because he becomes a neat freak, organizing his desk and tools until ‘it’ floods in.
- Leonardo da Vinci was known as ‘highly distractable’. He finished The Last Supper only after his patron threatened to cut off all funds. And he took 20 years to finish painting the Mona Lisa.
- Leslie Dixon says we all have what she calls ‘stalling mechanisms’. The phone, email, reading the newspaper. But she also believes that procrastination can be a tool for success; assuming you can control it and ultimately deliver the goods on time and in good shape, you’ll have the edge over those who can’t control it.
- Douglas Adams’ friend, Steve Meretzky says, "Douglas has raised procrastination to an art form. Hitchhikers Guide would never have gotten done if I hadn't gone over to England and virtually camped out on his doorstep."